| Ranked All-Publication list | Historiographs | Glossary HistCite Guide About |
| Nodes: 1283, Authors: 812, Journals: 1, Outer References: 30305, Words: 3239
Yearly output | Document Type | Language | Institution | Institution with Subdivision | Country |
| View: Overview | Sorted by year, source, volume, issue, page. |
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| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
|---|---|---|---|---|---|
| 201 | 4 | 58 | 201 1980 CRITICAL INQUIRY 6 (3): 539-567 MITCHELL WJT SPATIAL FORM IN LITERATURE - TOWARD A GENERAL-THEORY | 2 | 25 |
| 202 | 0 | 4 | 202 1980 CRITICAL INQUIRY 6 (4): 575-588 HOLLANDER J CAVELL,STANLEY AND THE CLAIM OF REASON | 0 | 0 |
| 203 | 0 | 5 | 203 1980 CRITICAL INQUIRY 6 (4): 589-591 CAVELL S THE CLAIM OF REASON - A REPLY TO HOLLANDER,JOHN | 0 | 0 |
| 204 | 0 | 32 | 204 1980 CRITICAL INQUIRY 6 (4): 593-607 LEITCH VB THE LATERAL DANCE - THE DECONSTRUCTIVE CRITICISM OF MILLER,J.HILLIS | 0 | 6 |
| 205 | 0 | 3 | 205 1980 CRITICAL INQUIRY 6 (4): 609-614 MILLER JH THEORY AND PRACTICE - RESPONSE TO LEITCH,VINCENT | 0 | 5 |
| 206 | 0 | 7 | 206 1980 CRITICAL INQUIRY 6 (4): 615-624 ASHTON D ON ROSENBERG,HAROLD | 0 | 2 |
| 207 | 0 | 23 | 207 1980 CRITICAL INQUIRY 6 (4): 625-638 RIFFATERRE M SYLLEPSIS | 1 | 36 |
| 208 | 0 | 9 | 208 1980 CRITICAL INQUIRY 6 (4): 639-647 RIMMONKENAN S DOUBLES AND COUNTERPARTS - PATTERNS OF INTERCHANGEABILITY IN BORGES THE 'GARDEN OF FORKING PATHS' | 0 | 1 |
| 209 | 0 | 33 | 209 1980 CRITICAL INQUIRY 6 (4): 649-667 MARTIN LD LITERARY INVENTION - THE ILLUSION OF THE INDIVIDUAL TALENT | 1 | 3 |
| 210 | 0 | 12 | 210 1980 CRITICAL INQUIRY 6 (4): 669-680 SCHLEUSENER J CONVENTION AND THE CONTEXT OF READING | 0 | 3 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 211 | 0 | 2 | 211 1980 CRITICAL INQUIRY 6 (4): 681-689 SHERWOOD JC PROLEGOMENA TO ANY FUTURE CRITICISM WHICH SHALL CLAIM TO MAKE SENSE | 0 | 0 |
| 212 | 0 | 21 | 212 1980 CRITICAL INQUIRY 6 (4): 691-706 FELPERIN H ROMANCE AND ROMANTICISM | 0 | 1 |
| 213 | 0 | 15 | 213 1980 CRITICAL INQUIRY 6 (4): 707-726 NELSON C SOLICITING SELF-KNOWLEDGE - THE RHETORIC OF SONTAG,SUSAN CRITICISM | 0 | 2 |
| 214 | 0 | 1 | 214 1980 CRITICAL INQUIRY 6 (4): 727-737 SCHAEFFER SF THE UNREALITY OF REALISM | 0 | 3 |
| 215 | 0 | 1 | 215 1980 CRITICAL INQUIRY 6 (4): 739-742 HYMAN LW HARPSICHORD EXERCISES AND THE MY LAI MASSACRE | 0 | 0 |
| 216 | 0 | 0 | 216 1980 CRITICAL INQUIRY 6 (4): 743-745 PURDY S HARPSICHORD EXERCISES AND THE MY LAI MASSACRE - REPLY | 0 | 0 |
| 217 | 1 | 3 | 217 1980 CRITICAL INQUIRY 6 (4): 746-748 REICHERT J MAKING SENSE OF INTERPRETATION | 0 | 3 |
| 218 | 0 | 0 | 218 1980 CRITICAL INQUIRY 6 (4): 749-751 FISH SE ONE MORE TIME + REICHERT,JOHN | 0 | 3 |
| 219 | 1 | 1 | 219 1980 CRITICAL INQUIRY 6 (4): 752-755 DEAN L THEORY AND THE MUDDLE | 0 | 0 |
| 220 | 0 | 0 | 220 1980 CRITICAL INQUIRY 7 (1): 1-4 MITCHELL WJT EDITORS NOTE - ON NARRATIVE | 0 | 0 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 221 | 0 | 29 | 221 1980 CRITICAL INQUIRY 7 (1): 5-27 WHITE H THE VALUE OF NARRATIVITY IN THE REPRESENTATION OF REALITY | 2 | 136 |
| 222 | 0 | 15 | 222 1980 CRITICAL INQUIRY 7 (1): 29-53 SCHAFER R NARRATION IN THE PSYCHOANALYTIC DIALOG | 0 | 63 |
| 223 | 0 | 3 | 223 1980 CRITICAL INQUIRY 7 (1): 55-81 DERRIDA J THE LAW OF GENRE | 0 | 52 |
| 224 | 0 | 13 | 224 1980 CRITICAL INQUIRY 7 (1): 83-101 KERMODE F SECRETS AND NARRATIVE SEQUENCE | 0 | 22 |
| 225 | 0 | 10 | 225 1980 CRITICAL INQUIRY 7 (1): 103-119 GOODMAN N TWISTED TALES - OR, STORY, STUDY, AND SYMPHONY | 3 | 10 |
| 226 | 0 | 4 | 226 1980 CRITICAL INQUIRY 7 (1): 121-140 CHATMAN S WHAT NOVELS CAN DO THAT FILMS CANT (AND VICE VERSA) | 0 | 9 |
| 227 | 0 | 24 | 227 1980 CRITICAL INQUIRY 7 (1): 141-168 TURNER V SOCIAL DRAMAS AND STORIES ABOUT THEM | 1 | 40 |
| 228 | 0 | 11 | 228 1980 CRITICAL INQUIRY 7 (1): 169-190 RICOEUR P NARRATIVE TIME | 1 | 57 |
| 229 | 0 | 7 | 229 1980 CRITICAL INQUIRY 7 (1): 191-199 LEGUIN UK IT WAS A DARK AND STORMY NIGHT - OR, WHY ARE WE HUDDLING ABOUT THE CAMPFIRE | 1 | 5 |
| 230 | 0 | 1 | 230 1980 CRITICAL INQUIRY 7 (1): 201-203 HERNADI P AFTERTHOUGHTS ON NARRATIVE .1. ON THE HOW, WHAT, AND WHY OF NARRATIVE | 0 | 0 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 231 | 0 | 3 | 231 1980 CRITICAL INQUIRY 7 (1): 204-212 SCHOLES R AFTERTHOUGHTS ON NARRATIVE .2. LANGUAGE, NARRATIVE, AND ANTI-NARRATIVE | 0 | 8 |
| 232 | 1 | 21 | 232 1980 CRITICAL INQUIRY 7 (1): 213-236 SMITH BH AFTERTHOUGHTS ON NARRATIVE .3. NARRATIVE VERSIONS, NARRATIVE THEORIES | 3 | 58 |
| 233 | 0 | 29 | 233 1980 CRITICAL INQUIRY 7 (2): 237-273 GOMBRICH EH STANDARDS OF TRUTH - THE ARRESTED IMAGE AND THE MOVING EYE | 0 | 4 |
| 234 | 0 | 41 | 234 1980 CRITICAL INQUIRY 7 (2): 275-296 TUCKER HF BROWNING LYRIC INTENTIONS | 1 | 3 |
| 235 | 1 | 13 | 235 1980 CRITICAL INQUIRY 7 (2): 297-309 BRUNS GL INTENTION, AUTHORITY, AND MEANING | 0 | 2 |
| 236 | 1 | 13 | 236 1980 CRITICAL INQUIRY 7 (2): 311-331 KERMAN J HOW WE GOT INTO ANALYSIS, AND HOW TO GET OUT | 1 | 50 |
| 237 | 0 | 15 | 237 1980 CRITICAL INQUIRY 7 (2): 333-344 STATES BO THE PERSISTENCE OF THE ARCHETYPE | 0 | 1 |
| 238 | 0 | 19 | 238 1980 CRITICAL INQUIRY 7 (2): 345-371 HOLLAND NN WHY ELLEN LAUGHED | 1 | 2 |
| 239 | 0 | 22 | 239 1980 CRITICAL INQUIRY 7 (2): 373-390 MICHAELS WB 'SISTER CARRIES' POPULAR ECONOMY | 2 | 7 |
| 240 | 0 | 63 | 240 1980 CRITICAL INQUIRY 7 (2): 391-417 GILBERT SM COSTUMES OF THE MIND - TRANSVESTISM AS METAPHOR IN MODERN LITERATURE | 5 | 23 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 241 | 0 | 4 | 241 1980 CRITICAL INQUIRY 7 (2): 419-428 OATES JC THE 'PICTURE OF DORIAN GRAY' - WILDE PARABLE OF THE FALL | 0 | 1 |
| 242 | 1 | 14 | 242 1980 CRITICAL INQUIRY 7 (2): 429-447 SNYDER J; COHEN T REFLECTIONS ON LAS 'MENINAS' - PARADOX LOST | 3 | 21 |
| 243 | 0 | 5 | 243 1981 CRITICAL INQUIRY 7 (3): 449-& TODOROV T THE LAST BARTHES + GENRES TO BE DISTINGUISHED IN THE BOOKS OF BARTHES,ROLAND | 0 | 1 |
| 244 | 1 | 5 | 244 1981 CRITICAL INQUIRY 7 (3): 455-474 STEWART G COPPOLA CONRAD + 'APOCALYPSE NOW' - THE REPETITIONS OF COMPLICITY | 0 | 3 |
| 245 | 0 | 57 | 245 1981 CRITICAL INQUIRY 7 (3): 475-497 HALPERIN DM SOLZHENITSYN, EPICURUS, AND THE ETHICS OF STALINISM | 0 | 0 |
| 246 | 0 | 26 | 246 1981 CRITICAL INQUIRY 7 (3): 499-520 ERMARTH E REALISM, PERSPECTIVE, AND THE NOVEL | 0 | 5 |
| 247 | 0 | 30 | 247 1981 CRITICAL INQUIRY 7 (3): 521-537 HARTH P THE NEW CRITICISM AND 18TH-CENTURY POETRY | 0 | 3 |
| 248 | 0 | 62 | 248 1981 CRITICAL INQUIRY 7 (3): 539-556 KRAMER JD NEW TEMPORALITIES IN MUSIC | 0 | 10 |
| 249 | 0 | 9 | 249 1981 CRITICAL INQUIRY 7 (3): 557-576 JONES MR ONLY TIME CAN TELL - ON THE TOPOLOGY OF MENTAL SPACE AND TIME | 0 | 26 |
| 250 | 0 | 27 | 250 1981 CRITICAL INQUIRY 7 (3): 577-603 SCRUTON R PHOTOGRAPHY AND REPRESENTATION | 2 | 11 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 251 | 1 | 9 | 251 1981 CRITICAL INQUIRY 7 (3): 605-611 GILBERT A MUSICAL SPACE + CRITIQUE ON MORGAN,ROBERT,P. MUSICAL TIME, MUSICAL SPACE - A COMPOSERS VIEW | 0 | 0 |
| 252 | 1 | 3 | 252 1981 CRITICAL INQUIRY 7 (3): 612-621 SURETTE L RATIONAL FORM IN LITERATURE + CRITIQUE ON MITCHELL,W.J.T. SPATIAL FORM IN LITERATURE | 1 | 4 |
| 253 | 2 | 8 | 253 1981 CRITICAL INQUIRY 7 (3): 622-633 MITCHELL WJT DIAGRAMMATOLOGY + REPLY TO SURETTE,LEON CRITIQUE | 0 | 2 |
| 254 | 1 | 2 | 254 1981 CRITICAL INQUIRY 7 (3): 634-638 PLETSCH C; SHIFF R HISTORY AND INNOVATION + CRITIQUE ON MARTIN,L.D. LITERARY INVENTION | 0 | 0 |
| 255 | 0 | 2 | 255 1981 CRITICAL INQUIRY 7 (3): 639-643 MARTIN LD A REPLY TO CARL PLETSCH AND RICHARD SHIFF + LITERARY INVENTION CRITIQUE | 0 | 0 |
| 256 | 0 | 3 | 256 1981 CRITICAL INQUIRY 7 (4): 645-651 HEANEY S CURRENT UNSTATED ASSUMPTIONS ABOUT POETRY .1. | 0 | 0 |
| 257 | 0 | 2 | 257 1981 CRITICAL INQUIRY 7 (4): 653-657 PINSKY R CURRENT UNSTATED ASSUMPTIONS ABOUT POETRY .2. | 0 | 0 |
| 258 | 0 | 1 | 258 1981 CRITICAL INQUIRY 7 (4): 659-665 PARKINSON T CURRENT UNSTATED ASSUMPTIONS ABOUT POETRY .3. | 0 | 0 |
| 259 | 0 | 19 | 259 1981 CRITICAL INQUIRY 7 (4): 667-687 MORSON GS TOLSTOY ABSOLUTE LANGUAGE | 1 | 3 |
| 260 | 0 | 27 | 260 1981 CRITICAL INQUIRY 7 (4): 689-706 BROWN M MOZART AND AFTER - THE REVOLUTION IN MUSICAL CONSCIOUSNESS | 0 | 3 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 261 | 0 | 25 | 261 1981 CRITICAL INQUIRY 7 (4): 707-725 WHITE JB HOMER ARGUMENT WITH CULTURE | 0 | 0 |
| 262 | 0 | 42 | 262 1981 CRITICAL INQUIRY 7 (4): 727-746 HARGREAVES FK THE CONCEPT OF PRIVATE MEANING IN MODERN CRITICISM | 0 | 2 |
| 263 | 0 | 13 | 263 1981 CRITICAL INQUIRY 7 (4): 747-760 RUDINOW J DUCHAMP MISCHIEF | 1 | 2 |
| 264 | 0 | 7 | 264 1981 CRITICAL INQUIRY 7 (4): 761-776 CAVELL S 'NORTH BY NORTHWEST' | 0 | 1 |
| 265 | 1 | 1 | 265 1981 CRITICAL INQUIRY 7 (4): 777-783 MINK LO EVERYMAN HIS OR HER OWN ANNALIST + WHITE,HAYDEN, NARRATIVITY AND CONCEPTIONS OF HISTORY | 0 | 7 |
| 266 | 3 | 14 | 266 1981 CRITICAL INQUIRY 7 (4): 784-792 WALDMAN MR THE OTHERWISE UNNOTEWORTHY YEAR 711 - A REPLY TO WHITE,HAYDEN | 0 | 2 |
| 267 | 0 | 3 | 267 1981 CRITICAL INQUIRY 7 (4): 793-798 WHITE H THE NARRATIVIZATION OF REAL EVENTS | 0 | 17 |
| 268 | 2 | 2 | 268 1981 CRITICAL INQUIRY 7 (4): 799-801 GOODMAN N THE TELLING AND THE TOLD + REPLY TO SMITH,BARBARA,HERRSTEIN ON NARRATIVE VERSIONS, NARRATIVE THEORIES | 0 | 1 |
| 269 | 1 | 1 | 269 1981 CRITICAL INQUIRY 7 (4): 802-809 CHATMAN S REPLY TO SMITH,BARBARA,HERRNSTEIN + NARRATIVE THEORIES | 0 | 4 |
| 270 | 0 | 4 | 270 1981 CRITICAL INQUIRY 8 (1): 1-& MORRIS W THE CAMERA EYE + PHOTOGRAPHY AND LITERATURE | 0 | 0 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 271 | 0 | 16 | 271 1981 CRITICAL INQUIRY 8 (1): 17-33 PANOFSKY E THE CONCEPT OF ARTISTIC VOLITION | 0 | 2 |
| 272 | 0 | 38 | 272 1981 CRITICAL INQUIRY 8 (1): 35-67 MCGANN JJ THE MEANING OF THE 'ANCIENT MARINER' + BY COLERIDGE,ST | 0 | 15 |
| 273 | 0 | 29 | 273 1981 CRITICAL INQUIRY 8 (1): 69-81 WESLING D DIFFICULTIES OF THE BARDIC + LITERATURE AND THE HUMAN VOICE | 0 | 4 |
| 274 | 0 | 13 | 274 1981 CRITICAL INQUIRY 8 (1): 83-97 PEARCE RH WHITMAN JUSTIFIED + THE POET IN 1855 | 0 | 1 |
| 275 | 0 | 49 | 275 1981 CRITICAL INQUIRY 8 (1): 99-119 BEAVER H HOMOSEXUAL SIGNS + LANGUAGE, CONVENTIONS AND RITUAL CODES | 0 | 7 |
| 276 | 0 | 4 | 276 1981 CRITICAL INQUIRY 8 (1): 121-132 GOODMAN N ROUTES OF REFERENCE + THE NATURE AND VARIETIES OF REFERENCE | 0 | 10 |
| 277 | 2 | 58 | 277 1981 CRITICAL INQUIRY 8 (1): 133-149 NEHAMAS A THE POSTULATED AUTHOR + CRITICAL MONISM AS A REGULATIVE IDEAL | 0 | 26 |
| 278 | 1 | 3 | 278 1981 CRITICAL INQUIRY 8 (1): 151-157 WIEAND J DUCHAMP AND THE ART-WORLD | 0 | 0 |
| 279 | 0 | 0 | 279 1981 CRITICAL INQUIRY 8 (1): 157-157 RUDINOW J DUCHAMP AND THE ART-WORLD + REPLY TO WIEAND,J | 0 | 0 |
| 280 | 0 | 4 | 280 1981 CRITICAL INQUIRY 8 (1): 158-164 BERSANI L A FUTURE FOR SYNTAX + REJOINDER TO MICHAELS,WALTER,BENN | 1 | 3 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 281 | 0 | 4 | 281 1981 CRITICAL INQUIRY 8 (1): 165-171 MICHAELS WB FICTITIOUS DEALING + A REPLY TO BERSANI,LEO | 0 | 1 |
| 282 | 1 | 77 | 282 1981 CRITICAL INQUIRY 8 (2): 179-205 SHOWALTER E FEMINIST CRITICISM IN THE WILDERNESS | 3 | 54 |
| 283 | 0 | 16 | 283 1981 CRITICAL INQUIRY 8 (2): 207-222 JACOBUS M THE QUESTION OF LANGUAGE + ELIOT,GEORGE - MEN OF MAXIMS AND THE 'MILL ON THE FLOSS' | 2 | 16 |
| 284 | 0 | 22 | 284 1981 CRITICAL INQUIRY 8 (2): 223-241 HOMANS M ELIOT, WORDSWORTH, AND THE SCENES OF THE SISTERS INSTRUCTION + ELIOT,GEORGE THE 'MILL ON THE FLOSS' AND WORDSWORTH,WILLIAM 'TINTERN ABBEY' AND 'NUTTING' | 0 | 7 |
| 285 | 0 | 90 | 285 1981 CRITICAL INQUIRY 8 (2): 243-263 GUBAR S THE BLANK PAGE AND THE ISSUES OF FEMALE CREATIVITY | 1 | 40 |
| 286 | 0 | 28 | 286 1981 CRITICAL INQUIRY 8 (2): 265-279 VICKERS NJ DIANA DESCRIBED + THE PORTRAYAL OF FEMININE BEAUTY IN THE RENAISSANCE - SCATTERED WOMAN AND SCATTERED RHYME | 0 | 57 |
| 287 | 1 | 32 | 287 1981 CRITICAL INQUIRY 8 (2): 281-300 AUERBACH N MAGI AND MAIDENS + MYTH OF THE ENTRANCED WOMAN - THE ROMANCE OF THE VICTORIAN FREUD | 0 | 6 |
| 288 | 1 | 51 | 288 1981 CRITICAL INQUIRY 8 (2): 301-327 ZEITLIN FI TRAVESTIES OF GENDER AND GENRE IN ARISTOPHANES 'THESMOPHORIAZOUSAE' | 1 | 9 |
| 289 | 0 | 13 | 289 1981 CRITICAL INQUIRY 8 (2): 329-345 KOLODNY A TURNING THE LENS ON THE 'PANTHER CAPTIVITY' + ANALYSIS OF A COMPOSITION BY PANTHER,ABRAHAM - A FEMINIST EXERCISE IN PRACTICAL CRITICISM | 1 | 8 |
| 290 | 4 | 49 | 290 1981 CRITICAL INQUIRY 8 (2): 347-361 GARDINER JK ON FEMALE IDENTITY AND WRITING BY WOMEN + THE IMAGE OF THE FEMININE IDENTITY IN LITERATURE | 3 | 23 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 291 | 2 | 55 | 291 1981 CRITICAL INQUIRY 8 (2): 363-379 STIMPSON CR ZERO DEGREE DEVIANCY - THE LESBIAN NOVEL IN ENGLISH | 2 | 25 |
| 292 | 0 | 22 | 292 1981 CRITICAL INQUIRY 8 (2): 381-392 SPIVAK GC 'DRAUPADI' - INTRODUCTION TO A BENGALI SHORT-STORY | 2 | 8 |
| 293 | 0 | 0 | 293 1981 CRITICAL INQUIRY 8 (2): 392-402 DEVI M 'DRAUPADI' + TRANSLATED FROM THE ORIGINAL BENGALI BY SPIVAK,GAYATRI,CHAKRAVORTY | 0 | 0 |
| 294 | 0 | 10 | 294 1982 CRITICAL INQUIRY 8 (3): 404-414 KINAHAN F; HEANEY S ARTISTS ON ART - AN INTERVIEW WITH HEANEY,SEAMUS | 0 | 0 |
| 295 | 0 | 52 | 295 1982 CRITICAL INQUIRY 8 (3): 415-436 VONHALLBERG R DAVIE,DONALD AND THE MORAL-SHAPE-OF-POLITICS + POETRY, POLITICS AND MORALITY | 0 | 0 |
| 296 | 0 | 29 | 296 1982 CRITICAL INQUIRY 8 (3): 437-460 ALPERS P WHAT IS PASTORAL + ATTEMPT TO DEFINE CONCEPT OF PASTORAL WITH REFERENCE TO RECENT CRITICAL CHAOS | 0 | 15 |
| 297 | 0 | 49 | 297 1982 CRITICAL INQUIRY 8 (3): 461-487 CHANDLER JK ROMANTIC ALLUSIVENESS + WASSERMAN AUGUSTAN HYPOTHESIS APPLIED TO HIGH ROMANTICISM | 0 | 6 |
| 298 | 0 | 25 | 298 1982 CRITICAL INQUIRY 8 (3): 489-507 CORNGOLD S ERROR IN DEMAN,PAUL + ERROR VS MISTAKE IN HIS READING OF NIETZSCHE | 0 | 2 |
| 299 | 0 | 6 | 299 1982 CRITICAL INQUIRY 8 (3): 509-513 DEMAN P A LETTER FROM DEMAN,PAUL + REPLY TO CORNGOLD,STANLEY ERROR IN DEMAN,PAUL | 0 | 5 |
| 300 | 0 | 16 | 300 1982 CRITICAL INQUIRY 8 (3): 515-529 MELTZER F LACLOS PURLOINED LETTERS + 'LIAISONS DANGEREUSES' | 0 | 2 |
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