| Ranked All-Publication list | Historiographs | Glossary HistCite Guide About |
| Nodes: 1283, Authors: 812, Journals: 1, Outer References: 30305, Words: 3239
Yearly output | Document Type | Language | Institution | Institution with Subdivision | Country |
| View: Overview | Sorted by year, source, volume, issue, page. |
Page 2 of 13: [ 1 2 3 4 5 6 7 8 9 10 ] 11
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
|---|---|---|---|---|---|
| 101 | 0 | 47 | 101 1978 CRITICAL INQUIRY 4 (4): 611-624 WELLEK R NEW CRITICISM - PRO AND CONTRA | 1 | 11 |
| 102 | 0 | 8 | 102 1978 CRITICAL INQUIRY 4 (4): 625-644 FISH SE NORMAL CIRCUMSTANCES, LITERAL LANGUAGE, DIRECT SPEECH ACTS, ORDINARY, EVERYDAY, OBVIOUS, WHAT GOES WITHOUT SAYING, AND OTHER SPECIAL CASES | 2 | 23 |
| 103 | 0 | 11 | 103 1978 CRITICAL INQUIRY 4 (4): 645-655 ARNHEIM R STRICTURE ON SPACE AND TIME + ARTS AND EXPERIENTIAL PERCEPTION | 0 | 5 |
| 104 | 0 | 18 | 104 1978 CRITICAL INQUIRY 4 (4): 657-672 FRANKLIN JH WILLIAMS,GEORGE,WASHINGTON AND BEGINNINGS OF AFRO-AMERICAN HISTORIOGRAPHY | 0 | 2 |
| 105 | 0 | 23 | 105 1978 CRITICAL INQUIRY 4 (4): 673-714 SAID EW PROBLEM OF TEXTUALITY - 2 EXEMPLARY POSITIONS | 0 | 35 |
| 106 | 0 | 40 | 106 1978 CRITICAL INQUIRY 4 (4): 715-739 LANG B STYLE AS INSTRUMENT, STYLE AS PERSON | 0 | 0 |
| 107 | 0 | 52 | 107 1978 CRITICAL INQUIRY 4 (4): 741-768 SUBOTNIK RR CULTURAL MESSAGE OF MUSICAL SEMIOLOGY - SOME THOUGHTS ON MUSIC, LANGUAGE, AND CRITICISM SINCE ENLIGHTENMENT | 1 | 4 |
| 108 | 0 | 79 | 108 1978 CRITICAL INQUIRY 4 (4): 769-808 SHIFF R SEEING CEZANNE | 0 | 3 |
| 109 | 0 | 7 | 109 1978 CRITICAL INQUIRY 4 (4): 809-838 BURKE K (NONSYMBOLIC) MOTION-(SYMBOLIC) ACTION | 1 | 12 |
| 110 | 2 | 5 | 110 1978 CRITICAL INQUIRY 4 (4): 839-845 KINCAID JR PLURALISTIC MONISM | 1 | 4 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 111 | 0 | 7 | 111 1978 CRITICAL INQUIRY 5 (1): 3-12 COHEN T METAPHOR AND CULTIVATION OF INTIMACY | 2 | 16 |
| 112 | 0 | 7 | 112 1978 CRITICAL INQUIRY 5 (1): 13-30 MAN PD EPISTEMOLOGY OF METAPHOR | 1 | 3 |
| 113 | 0 | 13 | 113 1978 CRITICAL INQUIRY 5 (1): 31-47 DAVIDSON D WHAT METAPHORS MEAN | 5 | 73 |
| 114 | 1 | 18 | 114 1978 CRITICAL INQUIRY 5 (1): 49-72 BOOTH WC METAPHOR AS RHETORIC - PROBLEM OF EVALUATION | 1 | 13 |
| 115 | 0 | 30 | 115 1978 CRITICAL INQUIRY 5 (1): 73-90 HARRIES K METAPHOR AND TRANSCENDENCE | 0 | 9 |
| 116 | 0 | 25 | 116 1978 CRITICAL INQUIRY 5 (1): 91-106 TRACY D METAPHOR AND RELIGION - TEST CASE OF CHRISTIAN TEXTS | 0 | 5 |
| 117 | 0 | 20 | 117 1978 CRITICAL INQUIRY 5 (1): 107-122 SHIFF R ART AND LIFE - METAPHORIC RELATIONSHIP | 0 | 1 |
| 118 | 2 | 44 | 118 1978 CRITICAL INQUIRY 5 (1): 123-141 GARDNER H; WINNER E DEVELOPMENT OF METAPHORIC COMPETENCE - IMPLICATIONS FOR HUMANISTIC DISCIPLINES | 1 | 7 |
| 119 | 0 | 11 | 119 1978 CRITICAL INQUIRY 5 (1): 143-159 RICOEUR P METAPHORICAL PROCESS AS COGNITION, IMAGINATION, AND FEELING | 1 | 40 |
| 120 | 0 | 0 | 120 1978 CRITICAL INQUIRY 5 (1): 161-162 QUINE WV POSTSCRIPT ON METAPHOR | 0 | 0 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 121 | 3 | 5 | 121 1978 CRITICAL INQUIRY 5 (1): 163-166 SWANSON DR TOWARD A PSYCHOLOGY OF METAPHOR | 0 | 1 |
| 122 | 1 | 4 | 122 1978 CRITICAL INQUIRY 5 (1): 167-174 HARRIES K MANY USES OF METAPHOR | 0 | 2 |
| 123 | 0 | 0 | 123 1978 CRITICAL INQUIRY 5 (1): 175-176 BOOTH WC 10 LITERAL THESES | 0 | 1 |
| 124 | 1 | 8 | 124 1978 CRITICAL INQUIRY 5 (1): 177-188 SCHAEFER M PSYCHOANALYSIS AND 'MARIONETTE THEATER' - INTERPRETATION IS NOT DEPRECIATION | 0 | 1 |
| 125 | 0 | 4 | 125 1978 CRITICAL INQUIRY 5 (1): 189-197 KOHUT H PSYCHOANALYSIS AND 'MARIONETTE THEATER' - INTERPRETATION IS NOT DEPRECIATION - REPLY | 0 | 1 |
| 126 | 0 | 0 | 126 1978 CRITICAL INQUIRY 5 (1): 199-200 BURKE K 'CRITICAL LOAD, BEYOND THAT DOOR OR, BEFORE THE ULTIMATE CONFRONTATION OR, WHEN THINKING OF DECONSTRUCTIONIST STRUCTURALISTS OR, A HERMENEUTIC FANTASY' | 0 | 0 |
| 127 | 0 | 8 | 127 1978 CRITICAL INQUIRY 5 (2): 203-222 VIERECK P STRICT FORM IN POETRY - WOULD JACOB WRESTLE WITH A FLABBY ANGEL | 0 | 0 |
| 128 | 0 | 26 | 128 1978 CRITICAL INQUIRY 5 (2): 223-251 CAMERON S NAMING AS HISTORY - DICKINSON POEMS OF DEFINITION | 0 | 2 |
| 129 | 0 | 21 | 129 1978 CRITICAL INQUIRY 5 (2): 253-273 MELTZER F COLOR AS COGNITION IN SYMBOLIST VERSE | 0 | 2 |
| 130 | 0 | 12 | 130 1978 CRITICAL INQUIRY 5 (2): 275-290 FRANK J SPATIAL FORM - SOME FURTHER REFLECTIONS | 0 | 16 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 131 | 0 | 38 | 131 1978 CRITICAL INQUIRY 5 (2): 291-307 GREENBLATT SJ MARLOWE, MARX, AND ANTI-SEMITISM | 0 | 7 |
| 132 | 0 | 39 | 132 1978 CRITICAL INQUIRY 5 (2): 309-322 HEILBRUN CG MARRIAGE AND CONTEMPORARY FICTION | 0 | 2 |
| 133 | 0 | 13 | 133 1978 CRITICAL INQUIRY 5 (2): 323-337 CHAMBERS R COMMENTARY IN LITERARY-TEXTS | 0 | 1 |
| 134 | 0 | 14 | 134 1978 CRITICAL INQUIRY 5 (2): 339-353 MINER E GENESIS AND DEVELOPMENT OF LITERARY SYSTEMS .1. | 0 | 8 |
| 135 | 0 | 3 | 135 1978 CRITICAL INQUIRY 5 (2): 355-368 ALTER R BIBLICAL TYPE-SCENES AND USES OF CONVENTION | 0 | 2 |
| 136 | 0 | 12 | 136 1978 CRITICAL INQUIRY 5 (2): 369-400 CARRINGER RL SCRIPTS OF 'CITIZEN KANE' | 1 | 1 |
| 137 | 1 | 15 | 137 1978 CRITICAL INQUIRY 5 (2): 401-416 BURKE K METHODOLOGICAL REPRESSION AND-OR STRATEGIES OF CONTAINMENT | 0 | 5 |
| 138 | 0 | 1 | 138 1978 CRITICAL INQUIRY 5 (2): 417-422 JAMESON FR IDEOLOGY AND SYMBOLIC ACTION | 0 | 8 |
| 139 | 0 | 0 | 139 1979 CRITICAL INQUIRY 5 (3): 423-424 STREETER RE; BOOTH WC; MITCHELL WJT SACKS,SHELDON 1930-1979 | 0 | 0 |
| 140 | 0 | 3 | 140 1979 CRITICAL INQUIRY 5 (3): 425-440 HAUSER A 'SOCIOLOGY OF ART' - LART POUR LART PROBLEM | 0 | 0 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 141 | 2 | 27 | 141 1979 CRITICAL INQUIRY 5 (3): 441-469 ACKERMAN JS JUDGING ART WITHOUT ABSOLUTES | 0 | 2 |
| 142 | 0 | 4 | 142 1979 CRITICAL INQUIRY 5 (3): 471-480 QUINE WV NATURE OF MORAL VALUES | 0 | 4 |
| 143 | 0 | 14 | 143 1979 CRITICAL INQUIRY 5 (3): 481-487 JUHL PD DO COMPUTER POEMS SHOW THAT AN AUTHORS INTENTION IS IRRELEVANT TO THE MEANING OF A LITERARY WORK | 0 | 0 |
| 144 | 0 | 24 | 144 1979 CRITICAL INQUIRY 5 (3): 489-510 ALTIERI C PRESENCE AND REFERENCE IN A LITERARY TEXT - EXAMPLE OF WILLIAMS 'THIS IS JUST TO SAY' | 1 | 6 |
| 145 | 0 | 1 | 145 1979 CRITICAL INQUIRY 5 (3): 511-527 MCKEON R 'PRIDE AND PREJUDICE' - THOUGHT, CHARACTER, ARGUMENT, AND PLOT | 0 | 1 |
| 146 | 0 | 41 | 146 1979 CRITICAL INQUIRY 5 (3): 529-551 VOGT VE NARRATIVE AND DRAMA IN THE LYRIC - FROST,ROBERT STRATEGIC WITHDRAWAL | 0 | 2 |
| 147 | 1 | 29 | 147 1979 CRITICAL INQUIRY 5 (3): 553-568 MINER E GENESIS AND DEVELOPMENT OF LITERARY SYSTEMS .2. | 0 | 2 |
| 148 | 1 | 1 | 148 1979 CRITICAL INQUIRY 5 (3): 569-575 GRAFF G NEW-CRITICISM ONCE MORE | 0 | 1 |
| 149 | 0 | 16 | 149 1979 CRITICAL INQUIRY 5 (3): 576-579 WELLEK R NEW-CRITICISM ONCE MORE - REPLY | 0 | 2 |
| 150 | 1 | 2 | 150 1979 CRITICAL INQUIRY 5 (3): 580-584 DOWLING WC INVISIBLE AUDIENCE - RABINOWITZ,PETER,J. 'TRUTH IN FICTION' | 0 | 1 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 151 | 0 | 10 | 151 1979 CRITICAL INQUIRY 5 (3): 585-589 RABINOWITZ PJ WHO WAS THAT LADY - PLURALISM AND CRITICAL METHOD | 0 | 0 |
| 152 | 0 | 17 | 152 1979 CRITICAL INQUIRY 5 (4): 597-619 KRIEGER M POETIC PRESENCE AND ILLUSION .1. RENAISSANCE THEORY AND THE DUPLICITY OF METAPHOR | 0 | 5 |
| 153 | 0 | 14 | 153 1979 CRITICAL INQUIRY 5 (4): 621-633 SCHWENGER P MASCULINE MODE + LITERATURE | 0 | 3 |
| 154 | 0 | 10 | 154 1979 CRITICAL INQUIRY 5 (4): 635-650 PRIOR ME STOWE UNCLE-TOM + 2 CONCEPTIONS OF THE CHARACTER | 0 | 0 |
| 155 | 0 | 23 | 155 1979 CRITICAL INQUIRY 5 (4): 651-661 PURDY S 'STALINGRAD' AND MY-LAI - LITERARY-POLITICAL SPECULATION | 0 | 0 |
| 156 | 0 | 29 | 156 1979 CRITICAL INQUIRY 5 (4): 663-682 SPILKA M ROBBER IN THE BEDROOM - OR, THE THIEF OF LOVE - WOOLFIAN GRIEVING IN 6 NOVELS AND 2 MEMOIRS | 0 | 0 |
| 157 | 0 | 57 | 157 1979 CRITICAL INQUIRY 5 (4): 683-712 RUSSO JP STUDY IN INFLUENCE - MOORE-RICHARD PARADIGM | 0 | 0 |
| 158 | 0 | 15 | 158 1979 CRITICAL INQUIRY 5 (4): 713-723 MCGREGOR R ART + ANALYSIS OF THE TERM WORK-OF-ART - AGAIN | 0 | 1 |
| 159 | 0 | 29 | 159 1979 CRITICAL INQUIRY 5 (4): 725-749 WILSON R BRIGHT CHIMERA - CHARACTER AS A LITERARY TERM | 0 | 13 |
| 160 | 0 | 11 | 160 1979 CRITICAL INQUIRY 5 (4): 751-759 TSUR R LEVELS OF INFORMATION-PROCESSING IN READING POETRY | 0 | 2 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 161 | 0 | 33 | 161 1979 CRITICAL INQUIRY 5 (4): 761-791 FEHL PP 'FAREWELL TO JOKES' - LAST CAPRICCI OF TIEPOLO,GIOVANNI,DOMENICO AND THE TRADITION OF IRONY IN VENETIAN PAINTING | 0 | 0 |
| 162 | 0 | 7 | 162 1979 CRITICAL INQUIRY 5 (4): 793-799 BELL Q; GOMBRICH EH; ACKERMAN JS NOTES AND EXCHANGES + JUDGING ART WITHOUT ABSOLUTES | 0 | 0 |
| 163 | 0 | 4 | 163 1979 CRITICAL INQUIRY 6 (1): 1-16 TOULMIN S INWARDNESS OF MENTAL LIFE | 1 | 13 |
| 164 | 0 | 25 | 164 1979 CRITICAL INQUIRY 6 (1): 17-32 HOLROYD M SHAW,GEORGE,BERNARD - WOMEN AND THE BODY POLITIC | 0 | 0 |
| 165 | 0 | 18 | 165 1979 CRITICAL INQUIRY 6 (1): 33-49 EDWARDS LR LABORS OF PSYCHE - TOWARD A THEORY OF FEMALE HEROISM | 2 | 11 |
| 166 | 0 | 27 | 166 1979 CRITICAL INQUIRY 6 (1): 51-63 COOPER DD POET AS ELABORATOR - ANALYTICAL PSYCHOLOGY AS A CRITICAL PARADIGM | 0 | 0 |
| 167 | 0 | 16 | 167 1979 CRITICAL INQUIRY 6 (1): 65-78 KEYSER SJ; PRINCE A FOLK ETYMOLOGY IN FREUD,SIGMUND MORGENSTERN,CHRISTIAN AND STEVENS,WALLACE | 0 | 2 |
| 168 | 0 | 22 | 168 1979 CRITICAL INQUIRY 6 (1): 79-97 RABKIN ES META-LINGUISTICS AND SCIENCE-FICTION | 0 | 5 |
| 169 | 0 | 12 | 169 1979 CRITICAL INQUIRY 6 (1): 99-106 EOYANG E BEYOND VISUAL AND AURAL CRITERIA - IMPORTANCE OF FLAVOR IN CHINESE LITERARY-CRITICISM | 0 | 1 |
| 170 | 0 | 15 | 170 1979 CRITICAL INQUIRY 6 (1): 107-123 ORGEL S SHAKESPEARE AND THE KINDS OF DRAMA | 0 | 4 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 171 | 1 | 9 | 171 1979 CRITICAL INQUIRY 6 (1): 125-130 GOODMAN N METAPHOR AS MOONLIGHTING | 0 | 4 |
| 172 | 2 | 7 | 172 1979 CRITICAL INQUIRY 6 (1): 131-143 BLACK M HOW METAPHORS WORK - REPLY TO DAVIDSON,DONALD | 0 | 2 |
| 173 | 1 | 24 | 173 1979 CRITICAL INQUIRY 6 (1): 144-152 KRAMER L SHAPE OF POST-CLASSICAL MUSIC | 0 | 3 |
| 174 | 0 | 23 | 174 1979 CRITICAL INQUIRY 6 (1): 153-163 SUBOTNIK RR TONALITY, AUTONOMY, AND COMPETENCE IN POST-CLASSICAL MUSIC | 0 | 3 |
| 175 | 1 | 7 | 175 1979 CRITICAL INQUIRY 6 (1): 164-172 REICHERT J BUT THAT WAS IN ANOTHER BALL PARK + LITERARY INTERPRETATIONS - REPLY TO FISH,STANLEY | 1 | 3 |
| 176 | 0 | 3 | 176 1979 CRITICAL INQUIRY 6 (1): 173-178 FISH SE REPLY TO REICHERT,JOHN - OR, HOW TO STOP WORRYING AND LEARN TO LOVE INTERPRETATION | 1 | 5 |
| 177 | 0 | 1 | 177 1979 CRITICAL INQUIRY 6 (1): 179-179 [Anon] EDITORIAL NOTE + CORRECTION TO ARTICLE ON WOOLFIAN GRIEVING BY SPILKA,M | 0 | 0 |
| 178 | 0 | 15 | 178 1979 CRITICAL INQUIRY 6 (2): 183-192 RADER RW LITERARY THEORETICAL CONTRIBUTION OF SACKS,SHELDON | 0 | 1 |
| 179 | 0 | 2 | 179 1979 CRITICAL INQUIRY 6 (2): 193-208 LIPKING L ARGUING WITH SHELLY + SACKS,SHELDON | 0 | 1 |
| 180 | 0 | 1 | 180 1979 CRITICAL INQUIRY 6 (2): 209-219 KINCAID JR 'FICTION AND THE SHAPE OF BELIEF' - 15 YEARS LATER | 0 | 0 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 181 | 0 | 1 | 181 1979 CRITICAL INQUIRY 6 (2): 221-229 SPRINGER MD UPON REREADING 'FICTION AND THE SHAPE OF BELIEF' | 0 | 0 |
| 182 | 0 | 0 | 182 1979 CRITICAL INQUIRY 6 (2): 231-238 SACKS S PURSUIT OF LEW-ARCHER | 0 | 1 |
| 183 | 0 | 9 | 183 1979 CRITICAL INQUIRY 6 (2): 239-256 BELL Q BLOOMSBURY AND THE VULGAR PASSIONS | 0 | 2 |
| 184 | 0 | 28 | 184 1979 CRITICAL INQUIRY 6 (2): 257-269 STEINER W CASE FOR UNCLEAR THINKING - NEW CRITICS VERSUS MORRIS,CHARLES | 0 | 0 |
| 185 | 0 | 15 | 185 1979 CRITICAL INQUIRY 6 (2): 271-289 MILLER R CHICAGO ARCHITECTURE AFTER MIES | 0 | 0 |
| 186 | 0 | 34 | 186 1979 CRITICAL INQUIRY 6 (2): 291-303 WOODWARD HW ACQUISITION | 0 | 0 |
| 187 | 0 | 2 | 187 1979 CRITICAL INQUIRY 6 (2): 305-330 CAVELL S ON MAKAVEJEV ON BERGMAN | 0 | 0 |
| 188 | 0 | 2 | 188 1979 CRITICAL INQUIRY 6 (2): 331-341 NEMEROV H ON THE MEASURE OF POETRY | 0 | 0 |
| 189 | 1 | 5 | 189 1979 CRITICAL INQUIRY 6 (2): 343-345 FISCHER M REHABILITATING REFERENCE - ALTIERI,CHARLES 'PRESENCE AND REFERENCE IN A LITERARY TEXT' | 0 | 0 |
| 190 | 0 | 3 | 190 1979 CRITICAL INQUIRY 6 (2): 346-354 ALTIERI C CULTURE AND SKEPTICISM - RESPONSE TO FISCHER,MICHAEL | 0 | 0 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 191 | 2 | 3 | 191 1979 CRITICAL INQUIRY 6 (2): 355-357 ROSKILL M REPLY TO REICHERT,JOHN AND FISH,STANLEY + MEANINGS IN 'SAMSON AGONISTES' | 0 | 0 |
| 192 | 0 | 1 | 192 1980 CRITICAL INQUIRY 6 (3): 359-362 MITCHELL WJT THE LANGUAGE OF IMAGES | 0 | 2 |
| 193 | 0 | 25 | 193 1980 CRITICAL INQUIRY 6 (3): 363-384 ABEL E REDEFINING THE SISTER ARTS - BAUDELAIRE RESPONSE TO THE ART OF DELACROIX | 0 | 0 |
| 194 | 0 | 36 | 194 1980 CRITICAL INQUIRY 6 (3): 385-410 GILMAN EB WORD AND IMAGE IN QUARLES 'EMBLEMES' | 0 | 8 |
| 195 | 0 | 86 | 195 1980 CRITICAL INQUIRY 6 (3): 411-454 STEINBERG L THE LINE OF FATE IN MICHELANGELO PAINTING | 0 | 2 |
| 196 | 0 | 10 | 196 1980 CRITICAL INQUIRY 6 (3): 455-476 MAST G KRACAUER 2 TENDENCIES AND THE EARLY HISTORY OF FILM NARRATIVE | 0 | 0 |
| 197 | 0 | 7 | 197 1980 CRITICAL INQUIRY 6 (3): 477-488 SEARLE JR 'MENINAS' AND THE PARADOXES OF PICTORIAL REPRESENTATION | 4 | 30 |
| 198 | 0 | 6 | 198 1980 CRITICAL INQUIRY 6 (3): 489-497 ARNHEIM R A PLEA FOR VISUAL THINKING + SENSORY EXPERIENCE IN EVALUATION | 0 | 2 |
| 199 | 0 | 21 | 199 1980 CRITICAL INQUIRY 6 (3): 499-526 SNYDER J PICTURING VISION + PERFECT OCULAR IMAGES | 0 | 27 |
| 200 | 0 | 11 | 200 1980 CRITICAL INQUIRY 6 (3): 527-538 MORGAN RP MUSICAL-TIME-MUSICAL-SPACE + DIMENSIONAL CONCEPTS OF SOUND | 2 | 12 |
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