| Ranked All-Publication list | Historiographs | Glossary HistCite Guide About |
| Nodes: 1283, Authors: 812, Journals: 1, Outer References: 30305, Words: 3239
Yearly output | Document Type | Language | Institution | Institution with Subdivision | Country |
| View: Overview | Sorted by LCS. |
Page 1 of 13: [ 1 2 3 4 5 6 7 8 9 10 ] 11
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
|---|---|---|---|---|---|
| 1 | 0 | 13 | 310 1982 CRITICAL INQUIRY 8 (4): 723-742 KNAPP S; MICHAELS WB AGAINST THEORY + LITERARY-CRITICISM | 15 | 70 |
| 2 | 1 | 22 | 568 1988 CRITICAL INQUIRY 14 (3): 590-652 DERRIDA J LIKE THE SOUND OF THE SEA DEEP WITHIN A SHELL - DEMAN,PAUL WAR | 9 | 55 |
| 3 | 0 | 13 | 113 1978 CRITICAL INQUIRY 5 (1): 31-47 DAVIDSON D WHAT METAPHORS MEAN | 5 | 73 |
| 4 | 0 | 63 | 240 1980 CRITICAL INQUIRY 7 (2): 391-417 GILBERT SM COSTUMES OF THE MIND - TRANSVESTISM AS METAPHOR IN MODERN LITERATURE | 5 | 23 |
| 5 | 2 | 5 | 362 1983 CRITICAL INQUIRY 9 (4): 790-800 KNAPP S; MICHAELS WB A REPLY TO OUR CRITICS + AGAINST THEORY - REBUTTAL | 5 | 11 |
| 6 | 0 | 55 | 363 1983 CRITICAL INQUIRY 10 (1): 1-35 SMITH BH CONTINGENCIES OF VALUE + LITERARY EVALUATION | 5 | 56 |
| 7 | 0 | 7 | 378 1983 CRITICAL INQUIRY 10 (2): 349-364 FISH S PROFESSION-DESPISE-THYSELF + COMMENTS ON RECENT WRITINGS ABOUT LITERARY-STUDIES AND (ANTI) PROFESSIONALISM - FEAR AND SELF-LOATHING IN LITERARY-STUDIES | 5 | 15 |
| 8 | 2 | 95 | 388 1984 CRITICAL INQUIRY 10 (3): 510-542 FRIED M PAINTING MEMORIES - ON THE CONTAINMENT OF THE PAST IN BAUDELAIRE AND MANET | 5 | 15 |
| 9 | 0 | 18 | 680 1991 CRITICAL INQUIRY 17 (2): 336-357 APPIAH KA IS THE POST-IN POSTMODERNISM THE POST-IN POSTCOLONIAL | 5 | 93 |
| 10 | 1 | 83 | 958 1998 CRITICAL INQUIRY 24 (4): 878-902 Gubar S What ails feminist criticism | 5 | 19 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 11 | 0 | 1 | 992 1999 CRITICAL INQUIRY 25 (3): 599-609 Gallop J Resisting reasonableness (Sexual harassment policies, academic student-teacher relationships) | 5 | 6 |
| 12 | 0 | 28 | 3 1976 CRITICAL INQUIRY 2 (3): 411-445 BOOTH WC ABRAMS,M.H. - HISTORIAN AS CRITIC, CRITIC AS PLURALIST | 4 | 14 |
| 13 | 0 | 7 | 197 1980 CRITICAL INQUIRY 6 (3): 477-488 SEARLE JR 'MENINAS' AND THE PARADOXES OF PICTORIAL REPRESENTATION | 4 | 30 |
| 14 | 2 | 3 | 356 1983 CRITICAL INQUIRY 9 (4): 743-747 HIRSCH ED AGAINST THEORY + DECONSTRUCTION, INTENTIONALISM, AND LITERARY-CRITICISM | 4 | 5 |
| 15 | 1 | 12 | 360 1983 CRITICAL INQUIRY 9 (4): 775-783 ROSMARIN A ON THE THEORY OF AGAINST-THEORY | 4 | 6 |
| 16 | 0 | 9 | 994 1999 CRITICAL INQUIRY 25 (3): 617-625 Pellegrini A Pedagogy's turn: Observations on students, teachers, and transference-love (Comment on Jane Gallop's 'Resisting Reasonableness') | 4 | 5 |
| 17 | 0 | 16 | 31 1976 CRITICAL INQUIRY 3 (2): 203-220 HARTMAN G LITERARY-CRITICISM AND ITS DISCONTENTS | 3 | 11 |
| 18 | 1 | 22 | 63 1977 CRITICAL INQUIRY 3 (4): 781-802 KINCAID JR CRITICAL RESPONSE .2. COHERENT READERS, INCOHERENT TEXTS | 3 | 17 |
| 19 | 0 | 10 | 225 1980 CRITICAL INQUIRY 7 (1): 103-119 GOODMAN N TWISTED TALES - OR, STORY, STUDY, AND SYMPHONY | 3 | 10 |
| 20 | 1 | 21 | 232 1980 CRITICAL INQUIRY 7 (1): 213-236 SMITH BH AFTERTHOUGHTS ON NARRATIVE .3. NARRATIVE VERSIONS, NARRATIVE THEORIES | 3 | 58 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 21 | 1 | 14 | 242 1980 CRITICAL INQUIRY 7 (2): 429-447 SNYDER J; COHEN T REFLECTIONS ON LAS 'MENINAS' - PARADOX LOST | 3 | 21 |
| 22 | 1 | 77 | 282 1981 CRITICAL INQUIRY 8 (2): 179-205 SHOWALTER E FEMINIST CRITICISM IN THE WILDERNESS | 3 | 54 |
| 23 | 4 | 49 | 290 1981 CRITICAL INQUIRY 8 (2): 347-361 GARDINER JK ON FEMALE IDENTITY AND WRITING BY WOMEN + THE IMAGE OF THE FEMININE IDENTITY IN LITERATURE | 3 | 23 |
| 24 | 0 | 58 | 306 1982 CRITICAL INQUIRY 8 (4): 619-649 FRIED M PAINTER INTO PAINTING - ON COURBET 'AFTER DINNER AT ORNANS' AND 'STONEBREAKERS' | 3 | 9 |
| 25 | 0 | 22 | 309 1982 CRITICAL INQUIRY 8 (4): 693-721 FISH SE WITH THE COMPLIMENTS OF THE AUTHOR - REFLECTIONS ON AUSTIN AND DERRIDA | 3 | 21 |
| 26 | 1 | 23 | 319 1982 CRITICAL INQUIRY 9 (1): 45-76 BOOTH WC FREEDOM OF INTERPRETATION - BAKHTIN AND THE CHALLENGE OF FEMINIST CRITICISM | 3 | 31 |
| 27 | 1 | 13 | 358 1983 CRITICAL INQUIRY 9 (4): 760-766 MAILLOUX S TRUTH OR CONSEQUENCES - ON BEING AGAINST THEORY | 3 | 5 |
| 28 | 2 | 17 | 432 1985 CRITICAL INQUIRY 11 (4): 539-572 SNYDER J LAS 'MENINAS' AND THE MIRROR OF THE PRINCE + INTIMATION OF IDEALITY IN THE PAINTING OF VELAZQUEZ,DIEGO | 3 | 13 |
| 29 | 0 | 28 | 449 1985 CRITICAL INQUIRY 12 (1): 144-165 BHABHA HK SIGNS TAKEN FOR WONDERS - QUESTIONS OF AMBIVALENCE AND AUTHORITY UNDER A TREE OUTSIDE DELHI, MAY 1817 | 3 | 89 |
| 30 | 0 | 5 | 460 1986 CRITICAL INQUIRY 12 (2): 391-398 TOROK M UNPUBLISHED BY FREUD TO FLIESS - RESTORING AN OSCILLATION | 3 | 4 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 31 | 0 | 132 | 729 1992 CRITICAL INQUIRY 18 (3): 417-453 ROGIN M BLACKFACE, WHITE-NOISE, THE JEWISH JAZZ SINGER FINDS HIS VOICE | 3 | 37 |
| 32 | 0 | 47 | 737 1992 CRITICAL INQUIRY 18 (4): 655-685 MICHAELS WB RACE INTO CULTURE, A CRITICAL GENEALOGY OF CULTURAL-IDENTITY | 3 | 44 |
| 33 | 0 | 28 | 891 1997 CRITICAL INQUIRY 23 (2): 231-269 LaCapra D Lanzmann's 'Shoah' + Holocaust, European Jews: ''Here there is no why'' | 3 | 9 |
| 34 | 0 | 10 | 964 1998 CRITICAL INQUIRY 25 (1): 32-55 LaCapra D The university in ruins? (Humanist studies, Bill Readings) | 3 | 13 |
| 35 | 0 | 4 | 993 1999 CRITICAL INQUIRY 25 (3): 610-616 Kincaid JR Pouvoir, felicite, Jane, et moi (Power, bliss, Jane, and me) (Comment on Jane Gallop's 'Resisting Reasonableness') | 3 | 3 |
| 36 | 0 | 20 | 1011 1999 CRITICAL INQUIRY 26 (1): 109-127 Brenkman J Extreme criticism (Literary studies) | 3 | 6 |
| 37 | 1 | 17 | 4 1976 CRITICAL INQUIRY 2 (3): 447-464 ABRAMS MH RATIONALITY AND IMAGINATION IN CULTURAL HISTORY - REPLY TO BOOTH,WAYNE | 2 | 14 |
| 38 | 3 | 32 | 43 1977 CRITICAL INQUIRY 3 (3): 407-423 BOOTH WC LIMITS OF PLURALISM .1. PRESERVING EXEMPLAR - OR, HOW NOT TO DIG OUR OWN GRAVES | 2 | 26 |
| 39 | 0 | 14 | 44 1977 CRITICAL INQUIRY 3 (3): 425-438 ABRAMS MH LIMITS OF PLURALISM .2. DECONSTRUCTIVE ANGEL | 2 | 42 |
| 40 | 0 | 9 | 45 1977 CRITICAL INQUIRY 3 (3): 439-447 MILLER JH LIMITS OF PLURALISM .3. CRITIC AS HOST | 2 | 37 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 41 | 0 | 32 | 48 1977 CRITICAL INQUIRY 3 (3): 489-506 STIMPSON CR MIND, BODY, AND STEIN,GERTRUDE | 2 | 19 |
| 42 | 0 | 18 | 79 1977 CRITICAL INQUIRY 4 (2): 231-252 FRANK J SPATIAL FORM - ANSWER TO CRITICS | 2 | 19 |
| 43 | 0 | 73 | 92 1978 CRITICAL INQUIRY 4 (3): 471-489 MAROTTI AF COUNTERTRANSFERENCE, COMMUNICATION PROCESS, AND DIMENSIONS OF PSYCHOANALYTIC-CRITICISM | 2 | 11 |
| 44 | 0 | 8 | 102 1978 CRITICAL INQUIRY 4 (4): 625-644 FISH SE NORMAL CIRCUMSTANCES, LITERAL LANGUAGE, DIRECT SPEECH ACTS, ORDINARY, EVERYDAY, OBVIOUS, WHAT GOES WITHOUT SAYING, AND OTHER SPECIAL CASES | 2 | 23 |
| 45 | 0 | 7 | 111 1978 CRITICAL INQUIRY 5 (1): 3-12 COHEN T METAPHOR AND CULTIVATION OF INTIMACY | 2 | 16 |
| 46 | 0 | 18 | 165 1979 CRITICAL INQUIRY 6 (1): 33-49 EDWARDS LR LABORS OF PSYCHE - TOWARD A THEORY OF FEMALE HEROISM | 2 | 11 |
| 47 | 0 | 11 | 200 1980 CRITICAL INQUIRY 6 (3): 527-538 MORGAN RP MUSICAL-TIME-MUSICAL-SPACE + DIMENSIONAL CONCEPTS OF SOUND | 2 | 12 |
| 48 | 4 | 58 | 201 1980 CRITICAL INQUIRY 6 (3): 539-567 MITCHELL WJT SPATIAL FORM IN LITERATURE - TOWARD A GENERAL-THEORY | 2 | 25 |
| 49 | 0 | 29 | 221 1980 CRITICAL INQUIRY 7 (1): 5-27 WHITE H THE VALUE OF NARRATIVITY IN THE REPRESENTATION OF REALITY | 2 | 136 |
| 50 | 0 | 22 | 239 1980 CRITICAL INQUIRY 7 (2): 373-390 MICHAELS WB 'SISTER CARRIES' POPULAR ECONOMY | 2 | 7 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 51 | 0 | 27 | 250 1981 CRITICAL INQUIRY 7 (3): 577-603 SCRUTON R PHOTOGRAPHY AND REPRESENTATION | 2 | 11 |
| 52 | 0 | 16 | 283 1981 CRITICAL INQUIRY 8 (2): 207-222 JACOBUS M THE QUESTION OF LANGUAGE + ELIOT,GEORGE - MEN OF MAXIMS AND THE 'MILL ON THE FLOSS' | 2 | 16 |
| 53 | 2 | 55 | 291 1981 CRITICAL INQUIRY 8 (2): 363-379 STIMPSON CR ZERO DEGREE DEVIANCY - THE LESBIAN NOVEL IN ENGLISH | 2 | 25 |
| 54 | 0 | 22 | 292 1981 CRITICAL INQUIRY 8 (2): 381-392 SPIVAK GC 'DRAUPADI' - INTRODUCTION TO A BENGALI SHORT-STORY | 2 | 8 |
| 55 | 0 | 3 | 312 1982 CRITICAL INQUIRY 8 (4): 761-775 DEMAN P SIGN AND SYMBOL IN HEGEL 'AESTHETICS' | 2 | 41 |
| 56 | 0 | 23 | 316 1982 CRITICAL INQUIRY 9 (1): 1-26 SAID EW OPPONENTS, AUDIENCES, CONSTITUENCIES, AND COMMUNITY | 2 | 24 |
| 57 | 0 | 11 | 323 1982 CRITICAL INQUIRY 9 (1): 139-156 CLARK TJ GREENBERG,CLEMENT THEORY OF ART | 2 | 14 |
| 58 | 0 | 2 | 325 1982 CRITICAL INQUIRY 9 (1): 179-200 DWORKIN R LAW AS INTERPRETATION | 2 | 15 |
| 59 | 0 | 13 | 328 1982 CRITICAL INQUIRY 9 (1): 235-247 HIRSCH ED THE POLITICS OF THEORIES OF INTERPRETATION | 2 | 7 |
| 60 | 0 | 32 | 375 1983 CRITICAL INQUIRY 10 (2): 283-305 BERNSTEIN MA WHEN THE CARNIVAL TURNS BITTER, PRELIMINARY REFLECTIONS UPON THE ABJECT HERO + BAKHTIN, THE CARNIVALESQUE AND SATURNALIAN DIALOG | 2 | 11 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 61 | 0 | 45 | 377 1983 CRITICAL INQUIRY 10 (2): 321-347 FROULA C WHEN-EVE-READS-MILTON + A FEMINIST CRITIQUE OF THE LITERARY CANON - UNDOING THE CANONICAL ECONOMY | 2 | 66 |
| 62 | 0 | 10 | 409 1984 CRITICAL INQUIRY 11 (2): 181-194 KRIEGER M THE AMBIGUITIES OF REPRESENTATION AND ILLUSION - A GOMBRICH,E.H. RETROSPECTIVE | 2 | 13 |
| 63 | 1 | 30 | 413 1984 CRITICAL INQUIRY 11 (2): 246-277 WALTON KL TRANSPARENT PICTURES - ON THE NATURE OF PHOTOGRAPHIC REALISM | 2 | 41 |
| 64 | 2 | 33 | 422 1985 CRITICAL INQUIRY 11 (3): 418-431 RABINOWITZ PJ THE TURN OF THE 'GLASS KEY', POPULAR FICTION AS READING STRATEGY | 2 | 10 |
| 65 | 4 | 10 | 425 1985 CRITICAL INQUIRY 11 (3): 466-473 KNAPP S; MICHAELS B PRAGMATISM AND LITERARY-THEORY, A REPLY TO RORTY,RICHARD | 2 | 5 |
| 66 | 0 | 5 | 454 1985 CRITICAL INQUIRY 12 (1): 278-289 JOHNSON B THRESHOLDS OF DIFFERENCES - STRUCTURES OF ADDRESS IN HURSTON,ZORA,NEALE | 2 | 9 |
| 67 | 3 | 16 | 540 1987 CRITICAL INQUIRY 14 (1): 49-68 KNAPP S; MICHAELS WB AGAINST THEORY-2 - HERMENEUTICS AND DECONSTRUCTION | 2 | 22 |
| 68 | 2 | 42 | 556 1988 CRITICAL INQUIRY 14 (2): 386-406 GILBERT SM; GUBAR S THE MAN ON THE DUMP VERSUS THE UNITED DAMES OF AMERICA, OR, WHAT DOES LENTRICCHIA,FRANK WANT | 2 | 5 |
| 69 | 0 | 36 | 586 1989 CRITICAL INQUIRY 15 (2): 205-225 SAID EW REPRESENTING THE COLONIZED, ANTHROPOLOGYS INTERLOCUTORS | 2 | 162 |
| 70 | 0 | 14 | 604 1989 CRITICAL INQUIRY 15 (3): 587-605 VANLEER D THE BEAST OF THE CLOSET, HOMOSOCIALITY AND THE PATHOLOGY OF MANHOOD | 2 | 11 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 71 | 0 | 16 | 632 1990 CRITICAL INQUIRY 16 (2): 355-370 MCCARTHY T PRIVATE IRONY AND PUBLIC DECENCY, RORTY,RICHARD NEW PRAGMATISM | 2 | 20 |
| 72 | 0 | 22 | 643 1990 CRITICAL INQUIRY 16 (3): 612-632 BRUNS GL CAVELL,STANLEY ON SHAKESPEARE + MODERN PHILOSOPHY AND LITERARY-CRITICISM | 2 | 5 |
| 73 | 1 | 47 | 654 1990 CRITICAL INQUIRY 16 (4): 753-772 FABIAN J PRESENCE AND REPRESENTATION - THE OTHER AND ANTHROPOLOGICAL WRITING | 2 | 34 |
| 74 | 0 | 34 | 657 1990 CRITICAL INQUIRY 16 (4): 807-829 BEDIENT C KRISTEVA AND POETRY AS SHATTERED SIGNIFICATION | 2 | 6 |
| 75 | 0 | 26 | 661 1990 CRITICAL INQUIRY 16 (4): 880-899 MITCHELL WJT THE VIOLENCE OF PUBLIC-ART + DESTRUCTION OF SCULPTURAL IMAGERY - DO THE RIGHT THING | 2 | 9 |
| 76 | 0 | 154 | 679 1991 CRITICAL INQUIRY 17 (2): 306-335 SHELL M MARRANOS (PIGS), OR FROM COEXISTENCE TO TOLERATION | 2 | 7 |
| 77 | 0 | 80 | 716 1991 CRITICAL INQUIRY 18 (1): 93-124 DASTON L MARVELOUS FACTS AND MIRACULOUS EVIDENCE IN EARLY-MODERN EUROPE | 2 | 38 |
| 78 | 0 | 26 | 736 1992 CRITICAL INQUIRY 18 (4): 630-654 OBEYESEKERE G BRITISH CANNIBALS, CONTEMPLATION OF AN EVENT IN THE DEATH AND RESURRECTION OF COOK,JAMES, EXPLORER | 2 | 15 |
| 79 | 0 | 47 | 739 1992 CRITICAL INQUIRY 18 (4): 713-737 FUSS D FASHION AND THE HOMOSPECTATORIAL LOOK | 2 | 26 |
| 80 | 3 | 73 | 747 1992 CRITICAL INQUIRY 19 (1): 22-69 FRIED M MANET IN HIS GENERATION - THE FACE OF PAINTING IN THE 1860S | 2 | 4 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 81 | 2 | 119 | 766 1993 CRITICAL INQUIRY 19 (3): 470-498 ABEL E BLACK WRITING, WHITE READING, RACE AND THE POLITICS OF FEMINIST INTERPRETATION | 2 | 23 |
| 82 | 2 | 113 | 806 1994 CRITICAL INQUIRY 20 (4): 623-662 LEYS R TRAUMATIC CURES - SHELL-SHOCK, JANET, AND THE QUESTION OF MEMORY | 2 | 14 |
| 83 | 0 | 109 | 807 1994 CRITICAL INQUIRY 20 (4): 663-693 BRENNAN T OFF-THE-GANGSTA-TIP + AFRICAN-AMERICAN MUSIC AND CULTURE - A RAP APPRECIATION OR FORGETTING ABOUT LOS-ANGELES | 2 | 5 |
| 84 | 1 | 59 | 817 1994 CRITICAL INQUIRY 21 (1): 124-155 BERLANT L 68, OR SOMETHING + THE POLITICAL RISKS OF BECOMING MINOR BY EMBRACING UTOPIAN LOGICS AND TONAL DISRUPTIONS OF THEORETICAL, DESCRIPTIVE, AND ANALYTIC NORMS IN AND OUTSIDE OF THE ACADEMY | 2 | 4 |
| 85 | 1 | 74 | 946 1998 CRITICAL INQUIRY 24 (2): 575-610 Povinelli EA The state of shame: Australian multiculturalism and the crisis of indigenous citizenship | 2 | 17 |
| 86 | 0 | 109 | 960 1998 CRITICAL INQUIRY 24 (4): 935-964 Brown B How to do things with things (A toy story) (Material culture, semiotics, imagery) | 2 | 5 |
| 87 | 3 | 52 | 969 1998 CRITICAL INQUIRY 25 (1): 136-168 Duve TD; Holmes B How Manet's A 'Bar at the Folies-Bergere' is constructed | 2 | 2 |
| 88 | 1 | 20 | 970 1998 CRITICAL INQUIRY 25 (1): 169-180 Elkins J Critical response I - Precision, misprecision, misprision (Manet, A 'Bar at the Folies-Bergere') | 2 | 2 |
| 89 | 1 | 45 | 981 1999 CRITICAL INQUIRY 25 (2): 362-379 Wiegman R What ails feminist criticism? A second opinion | 2 | 15 |
| 90 | 2 | 39 | 1031 2000 CRITICAL INQUIRY 26 (3): 488-528 Jones CA The modernist paradigm: The artworld and Thomas Kuhn | 2 | 5 |
| # | LCR | NCR | Node / Date / Journal / Author | LCS | GCS |
| 91 | 1 | 6 | 1037 2000 CRITICAL INQUIRY 26 (3): 610-614 Caesar T A response to Jane Gallop, James Kincaid, and Ann Pellegrini | 2 | 2 |
| 92 | 0 | 11 | 2 1976 CRITICAL INQUIRY 2 (3): 395-410 GOMBRICH EH; BELL Q CANONS AND VALUES IN THE VISUAL-ARTS - CORRESPONDENCE | 1 | 1 |
| 93 | 0 | 13 | 5 1976 CRITICAL INQUIRY 2 (3): 465-485 FISH SE INTERPRETING THE 'VARIORUM' + MILTON,JOHN | 1 | 52 |
| 94 | 0 | 31 | 6 1976 CRITICAL INQUIRY 2 (3): 487-518 MINER E LITERATURE IS A KIND OF KNOWLEDGE | 1 | 4 |
| 95 | 0 | 9 | 14 1976 CRITICAL INQUIRY 2 (4): 693-761 MEYER LB GRAMMATICAL SIMPLICITY AND RELATIONAL RICHNESS - TRIO OF MOZART 'G MINOR SYMPHONY' | 1 | 10 |
| 96 | 0 | 21 | 23 1976 CRITICAL INQUIRY 3 (1): 57-77 MILLER JH ARIADNE THREAD - REPETITION AND THE NARRATIVE LINE | 1 | 25 |
| 97 | 0 | 21 | 32 1976 CRITICAL INQUIRY 3 (2): 221-233 HOLLAND NN LITERARY INTERPRETATION AND 3 PHASES OF PSYCHOANALYSIS | 1 | 11 |
| 98 | 0 | 6 | 66 1977 CRITICAL INQUIRY 4 (1): 1-20 ROBBEGRILLET A ORDER AND DISORDER IN FILM AND FICTION | 1 | 9 |
| 99 | 0 | 7 | 68 1977 CRITICAL INQUIRY 4 (1): 33-53 MORGAN RP ANALYSIS OF RECENT MUSIC | 1 | 5 |
| 100 | 0 | 5 | 71 1977 CRITICAL INQUIRY 4 (1): 105-120 SCHOLES R TOWARD A SEMIOTICS OF LITERATURE | 1 | 6 |
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